▷ El pais nacho vegas | Actualizado julio 2024

interview: christina rosenvinge | el país

One of the outstanding songs is Ideología, in which she denounces the presence of ideology everywhere and at all times. “We live in a world in which the dominant and hegemonic ideology is the one that has to do with indoctrination, with something that is instilled in us in a particularly individualistic and consumerist world”, she states.

In this line, he goes on to affirm that the ideology that is “necessary and important” is the one that is “formed from consciousness”: “When consciousness is acquired, class, feminist or environmentalist consciousness and, from there, an ideology is created and collective struggles are undertaken that can be transformative”.

To settle this question, he also assures that “messages loaded with ideology are launched from everywhere, even though they seem to be apparently white” and then he finishes: “One thing that the system is doing very cleverly is trying to depoliticize any cultural gesture but at the same time load it with ideology”.

He even gives Nacho Vegas to cumbia in Todos contra el cielo, a song in which he states that ‘fear is our most transversal emotion’ because ‘it has been dictated by the Ministry’. A denunciation that leads him to affirm that “fear is the most powerful weapon that States have when they see that they are questioned”.

this is how the song in support of health workers was made.

In 2006 he released the double CD El tiempo de las cerezas, an album he shared with the Aragonese Enrique Bunbury, ex-singer of Héroes del Silencio, which took him to Mexico for the first time, and in 2007 the mini-CD Verano fatal in which he collaborated with the singer-songwriter Christina Rosenvinge. The album includes songs written by both as the homonymous “Verano fatal”, “Humo”, and “Me he perdido”, others written by Rosenvinge as “No lloro por ti”, “Ayer te vi” and “No pierdes lo que das” and one more written by Vegas “Que nos parta un rayo” paraphrasing in the title a previous album of Rosenvinge “Que me parta un rayo”. The release was followed by a tour during 2007-08.

In October 2010 she announced the end of her relationship with the record label Limbostarr, to join her own record label: Marxophone. He also announced the release date of his next LP, titled “La zona sucia”, which was released in February 2011 under copyleft license.[2] On October 26, 2011, he released the album “La zona sucia”.

On October 26, 2011 he released the EP “Cómo hacer crac”.[6] A short album containing mostly political and very personal songs such as “Cómo hacer crac”, “Dos bandos” or “La fiesta”.[7] This EP was followed by an international tour in which he visited the American continent again, including Mexico and Argentina.

librotea nacho vegas short

The album contains several songs in Asturian. Political activism or cultural visibilization without further implications? If one thing can be separated from the other, because parties like Vox are capable of leaving a plenary session of the General Assembly if someone speaks in Asturian.

Asturias is not a community with very good prospects for decades, with the closure of the mines and an industry increasingly in decline, an aging population because young people leave to look for work elsewhere because there is none there. Now it seems that the solution is tourism -or at least that was seen this summer, although it had already started before-, something that has already gone wrong in other places. Is there an alternative way out?

However, Asturias is a land very rich in natural resources and to create our own sustainable industry that would not make us so dependent on the tertiary sector we should start by being able to enjoy full autonomy and stop being dependent on what is decided in Madrid, where the sensitivity for what happens in the peripheries has always been conspicuous by its absence.

nacho vegas: there are some singers who read

This is the second time I interview Nacho. But this time the short time I have to get to Groove, venue of his new show in Buenos Aires, makes me forget the questions I had planned to ask him, so we improvise together an informal chat with the usual warmth.

-I have many moments of blocking. In fact there was a moment when I also stopped the ep because there was a song that didn’t suit me and I wanted to rewrite it, but I haven’t found the time to do it yet. And the truth is that I realized that I had just released Violetica, we are in the middle of a tour, and I needed some time. One day I was talking to Abraham after a concert and I told him: “I feel like I’m a little blocked”. And he said to me, “Look, you just released 18 songs and now you’re going to release one more ep. Don’t worry.”

-In 2016 you told me that you didn’t feel like playing some songs again and a few days ago I heard you say in an interview that you achieved the reunion with some songs by changing some phrases. Sometimes you write and you find yourself with your own texts that you don’t feel them as yours. Do you feel that way with the songs?